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Who I am

HI! I'm Martha.

I consider myself a researcher, pedagogue and somatic movement artist. As a child I played sports at a competitive level, and for many years I continued despite not having a competitive but instinctively exploratory attitude, curious about the relationship between movement, emotions, thoughts and sensations. At seventeen years old I discovered the Feldenkrais Method, and it was the revolution.

What I do?

When I teach I like to create a space of exploration and learning where I invite everyone to let go of judgment and find the pleasure of moving, perhaps recovering hidden or forgotten parts of themselves, and developing that constant dialogue between themselves and the environment, in which the awareness reconnects us to our personal power. I accompany people who are undergoing post-accident or surgery rehabilitation, all those who simply want to feel more comfortable in their body because they have a very sedentary lifestyle, or on the contrary a very demanding one from a physical point of view.
Who do I work with?

I teach all types of people, all ages and genders: anyone who feels they want to expand their curiosity and resources. I have worked with dancers, musicians, actors and singers. I teach regularly at Spazio Nu in Italy, Tuscany (Pontedera) and I offer workshops in Italy and abroad. I work with women on the topic of the pelvic floor and its relationship with the abdominals and breathing (this work is a two-day workshop or a workshop with multiple meetings online and in person). I also offer individual sessions of the Feldenkrais Method and Hypopressive Gymnastics. As a passionate dancer I participate in independent projects and offer Contact Improvisation lessons and workshops.

How and where did I study?

I am a certified teacher of the Feldenkrais® Method, of Caufriez Hypopressive gymnastics and graduated in pedagogy in Rome and Science and Techniques of Sport and Preventive and Adapted Physical Activity in Florence. I dedicated the first 15 years of my life to horse riding and another 15 to dancing. I studied and lived between Rome, Paris and Barcelona. I have been living in Tuscany for ten years. I have studied Contact Improvisation with many teachers in past years, the dance form to which I mainly dedicate myself, taking care of the organisation of workshops and teaching in Italy and abroad.

photo © Aimone Bonucci

Online Lessons

Soundcloud audio library - do the lesson when and where you want!

Lessons Feldenkrais® Live:

join me for Feldenkrais® online lessons every Wednesday morning 9:30/10:30am on GoogleMeet

Hypopressive Gymnastics

What is that?

RSF Hypopressive Gymnastics (Functional Systemic Reprogrammation) is a postural method developed for women's health initially, and then for sport and beyond, by Doctor Marcel Caufriez. The objective of this practice is to strengthen the deep abdomen by involving and therefore keeping the pelvic floor toned and elastic. This happens through specific postures that work in synergy with the breath. It is a very deep global postural work, which lengthens the posterior muscle chains and performs a draining visceral massage. The training frequency will be between two and five times a week (depending on the program and its phase), performing the exercises repeatedly for a minimum of 20 minutes.

People, often women, turn to this exercise to improve postural problems that include pelvic floor dysfunction. By practicing hypopressive gymnastics we can improve postural, static and dynamic management, and prevent and improve (in collaboration with the therapist) back problems (cervical, thoracic and lumbar), as well as all types of hernias (hiatal, abdominal, spinal vertebral, inguinal or vaginal, including urinary incontinence).

The training is developed through different levels of progression, ranging from static exercises to dynamic exercises, and once the pillars of the postures have been learned, two or three of them can be performed every day for a few minutes, so as to be able to easily carry out a part independently of training as maintenance between sessions. Although it depends on each person's initial situation, the "reprogramming" period usually lasts between three and six months.

Find out what is inside my pelvic floor awareness workshop: deep your knowledge about their relationship with posture (breathing and abdominals). I organize it as workshop, lessons series, or masterclass: (PDF)


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Testimonials

“Marta is a professional who combines technical excellence and heart. With great simplicity, clarity, decision and respect, she is capable of accompanying everyone (in group or private sessions) to the openness and movement that their body-soul seeks and asks for. Super recommended for anyone who wants to improve the quality of their life ❣️ Feldenkrais is the elixir of good and long life, done with Marta it is lightness and depth together!"

— Laura, 40 yo, writer

"I have started to follow Marta's lessons partly out of curiosity and partly out of need... and now I couldn't do without it! Thanks to the Feldenkrais Method and to the Hypopressive gymnastics I discovered my body... thanks to Marta and her lessons I discovered the way of walking, breathing, moving, I have a new awareness of my body."

— Genny, 42 yo, shop assistant

“I had always heard this name ..Feldenkrais.. and it had always intrigued me, so I tried it with Marta and now I won't let go of it anymore! He helped me a lot in letting go of tensions in my body and deeply listening to it, to what moves me from inside. And then the Hypopressive gimnastic, for posture and breathing...wow. Well, thanks Marta!"

— Paola, 60 yo, Hatha Yoga teacher

Dancing with Jesus Alonso, Madrid, Estudio 113

Photo © Nadia Argenzano, Spazio Nu

Dancing Contact Improvisation

Contact improvisation is a form of dance in which we engage in a dialogue with one or more people in physical contact, listening to sensations relating to one's weight, gravity and space. The point of contact changes throughout the dance, with no "holds" or "moves" to learn: partners move in improvisation. Some actions we find ourselves exploring are giving weight, offering support, finding and letting go of contact, rolling and sliding, flying and falling, traveling over and around the partner's body in mutual listening. Dance can appear slow, minimalist and meditative, or very dynamic, acrobatic and resemble a fight or a martial art.

Physical contact can be light or weight can be exchanged to the point of causing falls and flights. Since sensations are the guide of this physical conversation with the partner and the environment around us, a state of relaxation, curiosity and openness is necessary and is at the same time nourished by the practice of this dance. We reduce effort and amplify the spectrum of our sensations. Thanks to all this, Contact Improvisation is a very inclusive form of dance, which offers the possibility for people with very different abilities to move and do it together, and this makes it possible to overcome the barriers of differences, uniting and creating a strong community spirit.
Contact Improvisation (CI) was first presented as a series of performances conceived and directed by American dancer and choreographer Steve Paxton in June 1972 at the John Weber Gallery in New York City. Steve Paxton, a dancer with backgrounds in gymnastics and martial arts, was a member of several modern dance companies in New York in the 1960s, including that of groundbreaking choreographer Merce Cunningham and his longtime collaborator, composer John Cage, one of the greatest innovators in the field of classical dance. musical and artistic thought.

Paxton was a major enabler of the Judson Dance Theater's groundbreaking performances in the mid-1960s in New York, challenging assumptions about dance and opening up new possibilities for the art form, including what types of movement could be considered dance and how the dances are made. Paxton's radical choreographic proposals in the 1960s included his exploration of improvisation, both solo and in groups, particularly with the dance-theater collective Grand Union (1971-1976), which included Yvonne Rainer, Barbara Lloyd (Dilley ), Nancy Lewis, David Gordon, Douglas Dunn and Trisha Brown. It was during his time with Grand Union that Paxton first proposed Contact Improvisation. Steve Paxton had been awarded the Golden Lion for Lifetime Achievement at Biennale Danza in 2014

My teachers:

I send a particular gratitude to Nita Little, Ray Chung, Martin Keogh, Nancy Stark Smith, Joerg Hassman, Jess Curtis, Charlie Morrissey, Anya Cloud, Otto Ramstad, Asaf Bachrach and Gabriella Maiorino; and many more had contributed to inspire my dance, included all the people I’ve danced with, so thank you!

LINK Contact Quarterly

* (Contact Quarterly, a “vehicle for moving ideas”, is an international magazine of dance, improvisation, performance and movement arts. It is an important reference for the dissemination of historical and current materials on Contact Improvisation.

Photo © Sergey Semichay, ECITE, Portugal

Photo © David Aguirre, La Réunion 3.0, Madrid

Photo © Vanessa Zecchi, workshop Feldenkrais & CI 50 Days Movement Retreat, Siena


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Contacts

Telephone
+39 334 34 82 007
Email
juccimarta@gmail.com
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